• NEWS
  • MEMBER ACCESS
  • ABOUT AICA
  • NATIONAL SECTIONS
    • ARCHIVES AND LIVING MEMORY
    • AWARDS
    • CENSORSHIP & FREEDOM of EXPRESSION
    • CONGRESS
    • DIGITAL STRATEGIES
    • ELECTORAL AND MEMBERSHIP
    • FELLOWSHIP FUND
    • FINANCE
    • STATUTES AND REGULATIONS
  • EDITORIAL DEPARTMENT
  • aica publications
  • AICA PROJECTS
    • UPCOMING CONGRESS
    • ARCHIVE PAST CONGRESSES
    • CONGRESS NEWSLETTERS
    • CONGRESS NEWSPAPERS
    • CONGRESS GUIDELINES
    • DISTINGUISHED PRIZE
    • YOUNG CRITICS PRIZE
  • Reading Room
  • Webinars
  • CARTOGRAPHY
    • Issue #12
    • Issue #11
    • Issue #10
    • Issue #9
    • Issue #8
    • Issue #7
    • Issue #6
    • Issue #5
    • Issue #4
    • Issue #3
    • Issue #2
    • Issue #1
  • Freedom of Expression Advocacy
Menu

AICA International

  • NEWS
  • MEMBER ACCESS
  • ABOUT AICA
  • NATIONAL SECTIONS
  • AICA COMMITTEES
    • ARCHIVES AND LIVING MEMORY
    • AWARDS
    • CENSORSHIP & FREEDOM of EXPRESSION
    • CONGRESS
    • DIGITAL STRATEGIES
    • ELECTORAL AND MEMBERSHIP
    • FELLOWSHIP FUND
    • FINANCE
    • STATUTES AND REGULATIONS
  • EDITORIAL DEPARTMENT
  • aica publications
  • AICA PROJECTS
  • CONGRESS
    • UPCOMING CONGRESS
    • ARCHIVE PAST CONGRESSES
    • CONGRESS NEWSLETTERS
    • CONGRESS NEWSPAPERS
    • CONGRESS GUIDELINES
  • AWARDS
    • DISTINGUISHED PRIZE
    • YOUNG CRITICS PRIZE
  • Reading Room
  • Webinars
  • CARTOGRAPHY
  • AICA E-MAG
    • Issue #12
    • Issue #11
    • Issue #10
    • Issue #9
    • Issue #8
    • Issue #7
    • Issue #6
    • Issue #5
    • Issue #4
    • Issue #3
    • Issue #2
    • Issue #1
  • Freedom of Expression Advocacy

NEW ISSUE - The international review for art criticism #56

June 29, 2021

Actualité internationale de la littérature critique sur l’art contemporain Printemps/été 2021 N°56
/
The International Review of Contemporary Art Criticism
Spring/Summer 2021
 

Artiste et auteur invités dans ce numéro :

John Akomfrah et Michel Thévoz

Sujets au sommaire :

L'Art anglais à l'heure du Brexit •  Imager le pouvoir • Ecologie et pandémie • Paysage et art contemporain • Art, politique et socialisme d'Etat • Artistes femmes et féminismes en Italie • Dakar, laboratoire des arts de l'Afrique • Le voyage comme objet d'archives

96 contributions rédactionnelles nationales et internationales

Revue imprimée – 176 pages – Bilingue (français/anglais)
/
Print journal – 176 pages – Bilingual (French/English)

Grab your copy here / Découvrez le nouveau numéro ici: https://www.archivesdelacritiquedart.org/revue-critique-d-art/numero-56

← 53rd International AICA Congress, Turkey 2021 The Intellectual Aftermath Open CallAICA INT. WEBINAR →
Featured
bertelk.png
Apr 28, 2021
ART CRITICISM IN TIMES OF PANDEMIC
Apr 28, 2021
Apr 28, 2021
Feb 25, 2021
The Pace of a Broken Heart
Feb 25, 2021
Feb 25, 2021
img1.jpg
Jan 5, 2021
Home for the Holidays, the COVID-19 edition by Jean Bundy (AICA USA)
Jan 5, 2021
Jan 5, 2021
Apr 16, 2020
THOUGHTS ON DOOM
Apr 16, 2020
Apr 16, 2020
Apr 16, 2020
FULL YET EMPTY
Apr 16, 2020
Apr 16, 2020
Apr 16, 2020
AUJOURD'HUI DEMAIN - RIGHT NOW TOMORROW
Apr 16, 2020
Apr 16, 2020
  • 70 years of AICA
Featured
Ill. 1_Leenhardt Poinsot.jpg
A Short History of the Archives of Art Criticism
Ill. 1_Leenhardt Poinsot.jpg
Brève histoire des Archives de la critique d’art
Les vases communicants de l’AICA et de la critique espagnole militante
Les vases communicants de l’AICA et de la critique espagnole militante
Ill. 1_Lisbeth Bonde.jpg
A Short History of AICA Denmark
L’AICA CARAÏBE DU SUD
L’AICA CARAÏBE DU SUD
Ill. 1_Katy Deepwell.jpg
Art Criticism and Africa
lisbethBR.jpg
The Origins of the Brazilian Association of Art Critics and its History
Ill. 1_Kim Levin.jpg
On the XXV International AICA Congress, Santa Monica, California
Concrete Achievements, in Support of the Values of Cultural Democracy. AICA Turkey
Concrete Achievements, in Support of the Values of Cultural Democracy. AICA Turkey
Ill. 1_Tio Bellido.jpg
L'AICA et l'Afrique
wilson.jpg
AICA, Moscow-Tbilisi, 1989
POSTSCRIPT
POSTFACE